A growing collection of writing prompts, organised by what they ask you to do. Steal any of these. Bend them. Reject them. Send the result to a critique circle.
One opening line, no context. Make the second sentence the one that makes the reader stay.
Endings, not beginnings. Write toward one of these. Or use it as the very last sentence and reverse-engineer from there.
Drop one of these into a scene. Make the rest of the scene be about what your character does with it.
Write a scene that's nothing but dialogue. No tags, no description. The reader should know who is who, where they are, and what is at stake by the end.
Write the place first. Make it have an opinion. The plot is whoever shows up in it.